Exodus 13:17-18, 20-22 and Matthew 15:21-28
Christopher and I saw Lady
Bird in early December, before the Golden Globes were announced and so I
didn’t necessarily watch it thinking I would be preaching about it this month.
When it was nominated for Best Picture in a Musical or Comedy, I was not
surprised. I had urged Christopher to go see the movie for three reasons. First
of all, it’s the scene in the trailer in which Lady Bird opens the car door as
her mom is driving and just tosses herself out of the moving vehicle. Her mom’s
reaction is awesome. She is ragging on her daughter in one moment and then in
the next she’s screaming at the insanity of what her daughter just did. That
scene was so great. I would have paid money to see that movie for that scene
alone because it’s my kind of humour. My interest in the movie was heightened
when I heard a compelling interview with the movie’s writer and director, Greta
Gerwig in which she described her thought process in the writing and making of
this movie. And finally, I wanted to see Lady
Bird even before it was on our short list of Golden Globe nominees for this
Reel Theology sermon series because our son Matthew, who is attending film
school has a very good understanding of which movies are worth seeing and which
movies are not and said this was going to be one of the best movies of the
year. Not a statement to ignore.
On Friday afternoon, I went with some friends to see The Greatest Showman – another movie we
are exploring in this Reel Theology series. I enjoyed that movie so much that
after Christopher and I went to it over the Christmas holidays, I went again
with my friends. Just as the movie ended and we all took a breath, one friend
turned to me and asked, ‘now, how are you going to turn that into theology –
into a sermon?!’ As I had seen the movie before, I quickly listed the themes
that I will be exploring when the time comes. But the question alone of how to pull
theological themes from a movie or any other life event is not insignificant.
Stephen and I did not choose movies with overtly religious story lines. As far
as I know there are also no moments of glaring biblical allusions such as there
was in the Superman movie, Man of Steel
where Superman is up in space and he knows that he must return to earth to save
the planet. He leaves the spaceship by stepping backwards from it and hangs,
there suspended, because, you know, he’s Superman and can stand out in literal
space with no spacesuit and he hovers there a moment and as he does, he raises
his arms and hangs his head. Which recalls anyone who knows the story of Jesus
to his last moments of his humanly life, his crucifixion. And then there’s the
last scene of Clint Eastwood’s movie, Gran
Torino, in which the main character played by Clint, has put himself in
harm’s way to protect some certain others that he used to despise and had grown
to care deeply about over the course of the film. Clint’s character is shot and
killed, and the ending scene and the camera pans up from the ground so that we
can see Clint’s character laying on the ground and he’s lying there, with his
arms outstretched. Once again, recalling viewers to the cross and, if you are a
believer in the notion that God sent Jesus so that that his life would be
sacrificed for the sake of humanity, this moment would be quite meaningful.
When images such as these appear in films, it is easy to
make connections between the story on the screen and the bible. Well, it’s easy
for those who are quite familiar with the biblical stories. When I was in first
year English as university, my professor told the class it was essential for us
to know the Bible because so often literature has the same story arcs as the
Bible. Now that I’ve lived a bit of life, I would qualify what that professor
told us. It’s not so much that English literature re-imagines the themes of the
Bible but that those who know the Bible find parallels between the two. If a
Rabbi, a Pastor and an Imam read the same book, I’m sure they would each find
connections between the story written and the teachings of their own faith
tradition. This is because each of them and each us have a particular worldview
through which we filter what we see, feel and hear in the world using our life
experience and the knowledge that we’ve gained to help us categorize and make
sense of our world.
For those who grew up in homes with family attending church
and having the occasional theological discussion, regardless of which faith
tradition it is, it would not be a great stretch to make connections between
what is happening in the secular world and your faith. You are trained to hear
things and see things that others might not recognize because they are not
familiar with the story. Like having a secret language. Like when the early
Christians when it was still dangerous to openly acknowledge that you were a
follower of Jesus, you would greet a stranger and draw a line such as this in
the sand. If the other person did not follow Jesus, it would be meaningless to
them, just a random movement. But if they were a follower of the Way, the
invitation would be recognized, and they would complete the symbol by drawing
another line so a fish was revealed.
When you live and breathe something intentionally, you begin
to make connections between what you know and believe with what is happening
out in the world. Like when my then fourteen-year-old asked me during the month
of March if the flowers in the middle of a restaurant’s dining room table were
purple because it was Lent. Probably had nothing to do with Christianity but he
knew it was Lent and the colour for Lent is purple, therefore he saw Lent when
he saw the flowers. A Muslim would have just seen beautiful flowers. Or perhaps,
purple means something for them that we Christians did not make the connection
to at that moment. There was push by some Christian denominations to always
keep the teachings of Jesus forefront and centre, to filter all that happened
in life through biblical learnings by asking the question, ‘What would Jesus
do?’ A whole line of jewelry and rubber bracelets were created with the
letters, WWJD to remind the wearer to examine the situation they were in
through the lens of the Gospel. So, when my friend asked me, ‘how are you going
to preach the movie?’ it was not because she didn’t believe there were biblical
themes in the movie but, rather, it was because she did not watch it with an
eye for what would Jesus do, what is God telling us, as she watched the story.
The Bible is a series of stories that have been told and
re-told over many, many years of how the early people of our world interacted
with God and began to understand the ways of the world as God’s people. These
stories were eventually written down and canonized into what we know as our
Bible today, which includes the Old Testament, the Hebrew Scriptures, some of
which we share with Judaism, and the New Testament, the Christian Scriptures.
There are some Christians who might say that the day the Canon was finalized,
was the end of interpreting of what God is doing in our world. What is written
in the Bible is set in stone and the teaching is either there or it is not.
There is nothing new to be understood or added. This literal, fundamentalist
view of the Bible is a rather modern idea, created in late 1700s, early 1800s. Unfortunately
this take on the Bible does not allow for the events of today’s world to enter
into the biblical stories. The Bible was not intended to be a closed, dead
thing. It is the Word of God and, as we know, God is not dead. God has created
and is creating. God worked then in and through Jesus and God works today, in
and through us. The Bible is a living thing, ready and able to accept the
innovations and actions of God’s great Creation, of God’s humanity, and inform
us as to how God might want us to act and react to the history that is being
made today. We just need to be paying attention.
So, here we have this movie, Lady Bird. The story begins with a young woman, just about to begin
her final year of high school. She and her mother are wrapping up a tour of
potential colleges for Christine, who has recently given herself the new name
of Lady Bird. We quickly learn that her mother has set a rather low bar for her
daughter and does not have much confidence that Lady Bird will amount to much.
She is trying to keep Lady Bird’s expectations in check. State college, not an
Ivy League school is likely her best case scenario. Over time we come to
understand that Lady Bird’s parents have serious financial concerns. The dad
struggles with depression. The mom works double shifts as nurse on the mental
health floor of the hospital. The older brother’s girlfriend has moved in
because of something sketchy that’s happened, possibly between her and her
parents. The dad has a soft spot for Lady Bird and her ambitions. The mom is
exhausted. While she empathetic and caring at the hospital, she is fiercely
direct with her daughter, who seems to be flighty and not appreciative of all
her parents have sacrificed for her. The movie is a love story of the
relationship of these two women. One-minute fighting tooth and nail and the
next being in total agreement. There is religion throughout the movie as Lady
Bird’s parents have insisted that she attend a Catholic private school. As the
movie moves through Lady Bird’s grade 12, the passing of time is marked by the
religious holiday masses the students need to attend but, by no means will she
attend a Catholic college.
The focus of Lady Bird’s life, in this last year of high
school, is to get out of Sacramento, the town she has lived in, on the wrong
side of the tracks, for her whole life. Her mother does not want her to go. For
financial reasons and also, we come to suspect, because she doesn’t want to
lose her daughter. With some deception, Lady Bird finds a way out of Sacramento
for college and when this is reveled to her mother, her mother is completely
devastated. Devastated at the betrayal of the deception, the betrayal of her
leaving, the betrayal that Lady Bird no longer needs her mother. She refuses to
speak to her daughter in the last weeks she lives at home and when she finally
does go, there are no words of hope, comfort or encouragement. The last few
minutes of the film shows Lady Bird in her new life. And then, in an evening
when the impact of all that has occurred washes over her, she revisits and
reclaims all that she thought she had left behind her. She takes back the name
her parents gave her. She seeks out a church to attend mass. And she calls her
mother.
I chose the scripture readings from Exodus today because I
was reminded of the trust in God that the Hebrew people had in fleeing from
Egypt. Of course, there was soon to be some whining and complaining about
wandering in the desert, but there was also a firm belief that there was a
future for their people in moving forward. They not only believed this in their
hearts but they had a sign in the pillars that God provided for them. A pillar
of cloud in the day to protect them from the intensity of the sun and a pillar
of fire at night to light their way and give them warmth. From the very first
moment we meet Lady Bird, we can see in her the strength of her belief that she
was capable of more than a local college. And, while we might not have seen the
pillars that were set before her to follow, we see her determination and trust
in following them. I also chose the story of the Canaanite woman who insists
that Jesus assist her and her daughter, despite of his dismal of her request
and her need for his help. In this story of Jesus, it is one of the only times
that we see Jesus be inconsiderate of another’s need. And the woman does not
back down. She fights for what she needs. I saw that story played out in this
movie. Lady Bird’s potential is dismissed again and again by the elders in her
life but she does not back down. She keeps standing up for what she wants. For
what she needs.
This is a very odd film. I wanted to give it 3 1/2 stars, but that wasn't an option. There are some wonderful performances and lovely moments, but the film just doesn't quite come together. Essentially, it is the story of Lady Bird's senior year of high school. She has issues with her mother. Not a bad start, but it's undeveloped and episodic. Some people might enjoy that, but I found it unsatisfying as a story.
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